Theatre maker Anouk van den Berg
If it keeps lingering in my head, then I know I've grasped something
Obsessive curiosity
Anouk does not deliberately seek inspiration; she encounters it naturally. In the places she cycles past, the people she meets, or simply in the small things she experiences in her daily life. “If it keeps lingering in my head, then I know I have something.” That almost obsessive curiosity is an important gauge in her work. “The subject must interest me passionately, because if I create theatre about it, I am often still working on it for months, if not years.”
Legerkind
At the moment we speak to Anouk, she has just started research for a brand new project: Legerkind. About a place in Breda that everyone knows, but few really understand what happens behind the walls: the KMA. Here, around 700 cadets are prepared for the profession of soldier. “Day in, day out, I see them cycling through my street. Packed and ready and always neatly in uniform. What drives these often still young people to choose a career in the army, in this time of geopolitical tensions and shifting power blocs? That question keeps me awake. I would love to create a show about it.”
For Breda
That her productions always revolve around people and stories from Breda is no coincidence. “This is my home, I feel connected to this city. When creating my performances, which are often very personal, I find that sense of connection very important. When asked ‘who am I, that I create this?’ the answer must always be: ‘I do this for Breda, the city that is also my city.’”
Real stories
Anouk organised various performances, neighbourhood culture projects, and community art, including for Podium Bloos, Chassé Theater, Theatre Workshop Tiuri, and Nieuwe Veste. She is most proud of the theatre production Moederskind (2022), which took place in the former garden of the Breda Mother Sanctuary. “What we created there, together with people born and abandoned at that site, is unique. It was not only about the story of the place, but also about the people whose lives are intertwined with it.”
In a time when we are becoming increasingly apart, theatre is becoming more important than ever. Truly, we need it more than ever.
Connection
This ‘co-creation’ with those directly involved provides a deeper understanding of the significance of such iconic places. And it reveals stories and experiences you might not be aware of, but which have an impact for generations.
"With theatre, you create a space where perspectives can change and delicate or unconventional topics suddenly become discussable. That creates a connection. In a time when we are becoming more and more separated, this becomes even more important. Truly, we will need it more than ever.".
This connection also begins during the rehearsal process, within the group working on the production. Often, you already feel how this will affect the audience. “During a performance, you briefly find yourself in a different reality, together with the people around you. That creates a chemistry which I find hard to put into words.”
Bureau Pees
Moederskind created them, just like Brouwerskind (2019, at former Brewery de Drie Hoefijzers), together with creative producer Peter Dictus from Bureau Pees. “Whenever I have an idea, I always discuss it with him immediately. Peter is pragmatic and grounded at the right moments. Very helpful, because when I get excited about something, I sometimes bounce all over the place. Peter then helps me to stay focused and to make my ideas concrete and feasible.”
You can follow Anouk (and her new project) via degisting.nl and bureaupees.nl
Photo credit: Rob ten Broek